Calming Anxiety
Miss Brill by Katherine Mansfield

Books at Bedtime

Miss Brill by Katherine Mansfield

27 Aug 2026 · 15 min

0:0015:11

If sleep feels just out of reach tonight, let Katherine Mansfield's Miss Brill carry you gently there. Tonight's Books at Bedtime story follows a quiet, lonely woman through one ordinary Sunday afternoon in the park, her small joys and quiet ache unfolding slowly, read to ease you toward sleep.

This is a Calming Anxiety production, read by host Martin Hewlett as part of our nightly Books at Bedtime and Coffee Break for the Soul series of classic story readings for insomnia and relaxation. For more sleep stories and calming audio whenever you need it, download Anchored on iOS, with Android arriving September 2026.

First published in The Athenaeum in 1920 and later collected in The Garden Party and Other Stories, Miss Brill is one of Katherine Mansfield's most loved short stories and is now in the public domain. Let her Sunday afternoon unfold slowly in the dark, and let your own thoughts settle as hers do.

The story

Transcribed from the audio, so the odd word may be off. Tap any line while it plays to keep the words in step with Martin's voice.

Books at bedr time by calming anxiety, Miss Brill by Catherine Mansfield.

Although it was so brilliantly fine, the blue sky powdered with gold and great spots of light, like white wine splashed over Jordan's publics. Miss Brill was glad that she had decided on her fur. The air was motionless. But when you opened your mouth, there was just a faint chill, like a chill from a glass of iced water before you sip.

And now and again, a leaf came drifting from nowhere, from the sky. Miss Brill put up her hand and touched her fur. Dear little thing, it was nice to feel it again. She had taken it out of its box that afternoon, shaking out the moth powder, giving it a good brush, and rubbed the life back into the dim little eyes.

What has been happening to me, said the sad little eyes? Oh, how sweet it was to see them snap at her again from the red eye to down, but the nose, which was of some black composition, wasn't at all firm. It must have had a knock somehow. Never mind.

A little dab of black ceiling wax when the time came, when it was absolutely necessary. Little rogue. Yes. She really felt like that about it.

Little rogue biting its tail just by her left ear. She could have taken it off and laid it on her lap and stroked it. She felt a tingling in her hands and arms, but that came from walking, she supposed. And when she breathed, something light and sad, no, not sad, exactly, something gentle seemed to move in her bosom.

There were a number of people out this afternoon, far more than last Sunday, and a band sounded louder and gale. That was because the season had begun. But although the band played all the air round on Sundays, out of season, it was never the same. It was like someone playing with only the family to listen.

It didn't care how it played, and if there weren't any strangers present. Wasn't the conductor wearing a new coat too? She was sure it was new. He scraped with his foot and flapped with his arms like a rooster about to crow, and the bandsmen sitting in the green rotunda blew out their cheeks and glared at the music.

Now there came a little flutty bit, very pretty, a little chain of bright drops. She was sure it would be repeated. It was. She lifted her head and smiled.

Only two people shared her special seat. A fine old man in a velvet coat, his hands clasped over a huge carved walking stick, and a big old woman sitting at right with a roll of knitting on her embroidered apron. They did not speak. This was disappointing.

For Miss Brill always looked forward to the conversation. She had become quite really expert. She thought as she listened as though she didn't listen, as sitting in other people's lives just for a minute while they talked around her. She glanced sideways at the old couple.

Perhaps they would go soon. Last Sunday too, hadn't been as interesting as you thought. An Englishman and his wife, he wearing a dreadful panamahat, and she button boots. And she had gone on the whole time about how she ought to wear spectacles.

She knew she needed them, but that was it. It was no good getting any. They'd be sure to break, and they'd never keep on. And he'd been so patient.

He suggested everything. Gold rims, the kind that curved around your ears. Little pads inside the bridge. No.

England would pleaser that always be sliding down my nose, Miss Brill had wanted to shake her. The old people sat on the bench, still as statues. Never mind. There was always the crowd to watch, two and fro.

In front of the flower beds and the bandrat under, the couples and groups peraded, stopped to talk, to greet, to buy a handful of flowers from the old beggar who had his tray fixed to the railings. Little children ran among them, sweeping and laughing. Little boys with big white silk bows under their chins. Little girls, little French dolls, dressed up and velvet and lace.

And sometimes a tiny stagora came suddenly rocking into the open from under the trees. Stared and suddenly sat down, flop, until its small, high stepping mother, like a young hen, rushed scrolling to its rescue. Other people sat on the benches and green chairs. But they were nearly always the same, Sunday after Sunday, and Miss Brill had often noticed.

There was something funny about nearly all of them. They were odd, silent, nearly all old. And from the way they stared, they looked, as though they had just come from the dark little rooms or even, even cupboards. Behind the rotunda, the slender trees, with yellow leaves down-roofing, and through them all just a line of sea, and beyond the blue sky, with gold-famed clouds.

Dillum, dillum, dillum, dillum, the band blew.

Two young girls in red came by and two young soldiers in blue met them, and they laughed, and paired and went off, arm in arm. Two pleasant women, with funny straw hats passed, gravely leading beautiful smoke-colored donkeys. A cold, pale man hurried by. A beautiful woman came along and dropped her bunch of violets, and a little boy ran after to hand them to her.

And she took them, and threw them away as if they had been poisoned. Dear me, Miss Brill didn't know whether to admire that or not. And now, an her mind-talk and a gentleman in grey met just in front of her. He was torn, stiff, dignified, and she was wearing the her mind-talk, she'd brought, when her hair was yellow.

Now everything, her hair, her face, even her eyes, was the same color as the shabby her mind, and her hand in its cleaned glove, lifted to dab her lips, with a tiny yellowish paw. Oh, she was so pleased to see him, delighted. She rather thought that they were going to meet at half the noon. She described where she'd been, everywhere, here there, along by the sea.

The day was so charming, didn't he agree? And wouldn't he perhaps, but she shook his head, lighted as cigarette, slowly breathed a great deep puff into her face. And even while she was still talking and laughing, flick the match away and walked on. The her mind-talk was alone.

She smiled more brightly than ever, but even the band seemed to know what she was feeling, and played more softly, played tenderly, and the drum beat, the prude, the prude, over and over. What would she do? What was going to happen now? But as Miss Brill wondered, the her mind-talk turned, raised her hand as though she had seen someone else much nicer just over there, and patted away.

And the band changed again, and played more quickly, more gale than ever. And the old couple, Miss Brill's seat, got up and marched away. And such a funny old man with long whiskers hobbled along in time to the music, and was nearly knocked over by the four girls walking abreast. Oh, how fascinating it was.

How she enjoyed it. How she loved sitting here, watching it all. It was like a play. It was exactly like a play.

Who could believe the sky at the back wasn't painted? But it wasn't till a little brown dog trotted on Solomon and then slowly trotted off, like a little theater dog, a little dog that had been drugged, that Miss Brill discovered what it was that made it so exciting. They were all on the stage. They weren't only the audience, not only looking on, they were acting.

Even she had a part, and she came every Sunday. No doubt somebody would have noticed. She hadn't been there. She was part of the performance after all.

How strange. She never thought of it like that before. And yet it explained why she made such a point of staring from home at just the same time each week. So is not to be late for the performance.

And it also explained why she had quite a queer, shy feeling at telling her English pupils how she spent her Sunday afternoons. No wonder. Miss Brill nearly laughed out loud. She was on the stage.

She thought of the old invalid gentleman to whom she read the newspaper four afternoons a week while he slept in the garden. She had quite used to the frail head on the cotton pillow, the hollowed eyes, the open mouth, and the high pinched nose. If he had been dead, she might have not noticed for weeks. She wouldn't have minded.

But suddenly he knew he was having the paper read to him by an actress, an actress. The old head lifted two points of light quivered in the old eyes. An actress, IE. And Miss Brill smoothed a newspaper as though it were the manuscript of her part and said gently.

Yes, I have been an actress for a long time. The band had been having a rest. Now they started again and what they played was warm, sunny. Yet there was just a faint chill, something.

What was it? Not sadness. No. Not sadness.

A something that made you want to sing. The tune lifted, lifted, the light shone, and it seemed to Miss Brill. But in another moment all of them, all of the whole company would begin singing. The young ones, the laughing ones, who were moving together, they would begin.

And the men's voices, very resolute and brave, they would join them. And then she too. She too, and the others on the benches. They would come in with a kind of a compliment, something clothe, that scarcely rose or fell.

Something so beautiful, moving. The Miss Brill's eyes filled with tears and she looked smiling at the other members of the company. Yes, we understand. We understand, she thought.

Though what they understood she didn't know. Just at that moment a boy and a girl came and sat down where the old couple had been. They were beautifully dressed. They were in love.

The hero and heroine of course, just arrived from his father's yacht. And still sound usn't me singing, still with that trembling smile, Miss Brill prepared to listen. "No, not now," said the girl, "not here, I can't." But why?

Because of that stupid old thing at the end there, asked the boy. Why does she come here at all? Who wants her? Why doesn't she keep her silly old mug at home?

It's her fur, fur, which is so funny, Google the girl. It's exactly like a fried, whiteing. "Ah, be off with you," said the boy in an angry whisper, "then tell me, my petit-shear, no, not here," said the girl, not yet. On her way home, she usually brought a slice of honey cake at the bakers.

It was her Sunday treat. Sometimes there was an almond in her slice, sometimes not. It made a great difference. If there was an almond, it was like carrying home a tiny present, a surprise, something that might very well not have been there.

She hurried on, the almond sundays and struck the match for the kettle in quite a dashing way. But today, she passed the bakers by, climbing the stairs, went into their little dark room, her room like a cupboard, and sat down on the red-eyeder down. She sat there for a long time. The box that the fur came out of was on the bed.

She unclasp the neck clip quickly, quickly, without looking, laid it inside. But when she put the lid on, she thought she heard something crying.

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